Guest Post- Review of Hubris by James Maliszewski

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Hubris: A World of Visceral Adventure is available on Drivethrurpg and Lulu.)

I’ve known Mike Evans for a long time, starting with reading his blog, way back in the mists of 2009. In the years since, we’ve exchanged emails, commented on one another’s posts on G+, and generally moved in the same circles. In that time, I’ve come to admire his creativity, his industry, and, above all, his perseverance in pursuit of his dreams, perhaps the greatest of which is his Hubris campaign setting, published in 2016.

Being an (increasingly) old and out-of-touch person, I didn’t get around to seeing a copy of Hubris: A World of Visceral Adventure until a few weeks ago, thanks to the generosity of Mike. I mention this both to thank Mike and to be upfront about our connections to one another. In my experience, many people expect a certain degree of detachment and objectivity from something purporting to be a review. If so, what follows most certainly isn’t a review so much as a collection of thoughts occasioned by reading Hubris. Even so, I hope these thoughts will nevertheless prove useful.

Hubris is an original setting for use with Goodman Games’s Dungeon Crawl Classics Roleplaying Game, presented in a large 348-page book. Like so many third-party DCC RPG materials, Hubris is weird. I don’t mean that negatively. What I mean is that it goes off in unexpected directions, mixing and matching stuff that generally isn’t put together (or at least that I wouldn’t put together), and then cranking it up to 11. You only need take a look at Mike’s version of Appendix N to get a sense of what I’m talking about: a stew of Lewis Carroll, Robert E. Howard, Army of Darkness, Princess Mononoke, and Metallica – just to name a few of its eclectic “literary” sources. To call it “a sword and sorcery campaign setting,” as the cover blurb does isn’t to do it justice, but then I’m not entirely sure what would do so.

For me, whose own tastes in fantasy tend toward the prosaic, what really sets Hubris apart is its wild creativity, starting with its additions and changes to the DCC RPG rules. There is, for example, a new table of occupations for starting characters. Simply reading the table gives you a good idea of what the setting of Hubris is like. There are alien abductees, chimney sweep children, flimflam artists, nosey neighbors, pig wrestlers, and snake handlers, to name but a few. There are also five new races, each with their own table of occupations. It’s amazing how much flavor is packed into this single table, except that this isn’t the only table like this. Hubris is positively packed with imaginative tables, which both efficiently present the setting without the need for lots of encylcopedia-style exposition and inspire players and judges alike.

There are four new classes, too, such as the Dr. Jekyll-like alchemist, fiendish blood witch, bestial druid, and stealthy shadowdancer. These are in addition to the aforementioned five new races, which function as classes like those in the DCC RPG rulebook. Wizards get four new patrons (in addition to freakish, living spellbooks), while clerics get twelve new gods. And, of course, both classes get new spells and other game mechanical goodies. This is all good stuff, but it’s the kind of material you’d find in almost any RPG setting book.

But the real glory of Hubris is its presentation of the setting itself. Instead of long, faux-academic entries on the Great Plains of Unbidden Sorrow or the Land of Perpetual Stone and Mire, we’re treated to short overviews of the setting’s regions, followed by tables, tables, and more tables. Some present rumors and adventure hooks, while others typical encounters, “the lay of the land” (that is, unique locales within a region), or even more specific content (such as the effects of bathing in the Black Pool of Inexplicable Ecstasy or your opponents in the Arena of Blood). It’s frankly a brilliant way of presenting a setting, one that gives judges lots of leeway to mold it to their needs while still providing plenty of details to hang their hat on.

Hubris also offers many more tables for the judge, all of which combine utility with flavor. There are tables for ancient and forgotten demigods, bandits, grave diggin’, herbs, taverns – just about anything you’d need in the course of play. That’s another aspect of Hubris that comes through in reading it: Mike has clearly used this setting extensively. Its content is geared toward play rather than simply being an exercise in creativity. Hubris is a big book, yes, but it’s filled with very practical material. This includes the magic items, monsters, and, above all, starter adventures (one of which is a funnel). Reading through this, I found myself wanting to run my own Hubris campaign and, because of the material included in its page, I felt like I could.

If I have a complaint about Hubris, it’s that it’s pretty gonzo. It’s a kitchen sink setting filled with mutants, bird-men, half-demons, steam-mechs, sex prophets, and dinosaurs, among many, many other things. At times, it’s a little too much. I occasionally felt overwhelmed by it all. But, as I noted above, one of the glories of Hubris is its presentation, which is highly customizable. Don’t like some aspect of the setting? Change it or get rid of it entirely. Want to add something to it that you think is missing? Go right ahead. There’s no One True Hubris, except perhaps the one you’re using at your own table and the book makes it extremely easy to turn it into the setting you want it to be.

Ultimately, that’s why I was so inspired by Hubris. There’s no doubt that some of the material included in its pages is terrifically imaginative, but it’s the presentation that really grabbed me. Mike Evans has done a remarkable thing here, providing us with a toolkit that is simply packed with tools of every conceivable shape and size. Even if you’re not interested in using a single thing directly from Hubris – and I’d be amazed if anyone could read it and not want to swipe at least a couple of things for their own campaigns – you’ll have your eyes opened about how to introduce a setting and its details.

Hubris is terrific. I cannot recommend it highly enough.

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Quick Critical Hit and Fumble Die Drop Table

I love the critical hits and fumbles mechanics in Dungeon Crawl Classics.  It keeps criticals and fumbles exciting and fresh throughout a campaign!  Combat can get bogged down with constantly referencing the book or notes, however.  

As I look at what I want to incorporate in my DIY system, I knew I wanted that excitement on criticals and fumbles as found in DCC, but I didn’t want to have to look in a book for the results.  I decided to create a die drop chart instead.  

When a critical/fumble is rolled, simply roll 1d4 on the die drop chart (pic below) and consult the number on the die with the column in which it lands.

Anyways, enjoy!

Here’s the chart as a PDF:

crit-and-fumble-tableDownload

Gathox Quake Alley Mayhem- Now Available as POD!

Gathox Vertical Slum‘s first official adventure, Quake Alley Mayhem is now available for print on demand!

Also- don’t forget the character sheet is available for free!

 

Note: If you have already  purchased the PDF on Drivethru, I will be sending you a link, via the email you’ve provided to Drivethru, so you can purchase the POD at the bundle price, if you’re interested!

Here’s a killer video David Lewis Johnson did for his book!

This is a fantastic module that has received several great reviews already!

QUOTES FROM REVIEWS

“The thing I really dig about this module, is there are no rooms in it that are empty.  Every room has a chance for roleplay, a fight, and or a deadly trap.  In other words this isn’t a vanilla dungeon with safe words!” – Shane Ward, 3 Toadstools Publishing

“If you enjoyed Gathox Vertical Slum then you need to get this product. Quake Alley Mayhem is a fun adventure to unleash at a con to show people how wild and crazy adventuring in Gathox can be.” – Brutorz Bill, Green Skeleton Gaming Guild

“The gonzo setting and weird gangs gives the whole enterprise a Heavy Metal magazine feel, or at least a Heavy Metal gloss on a grindhouse film. It’s a very fitting approach and a strong answer to the question “what do you do with Gathox?”” – Trey Causey, From the Sorcerer’s Skull

“Quake Alley Mayhem is compact and punchy. Every room in the dungeon contains something of interest, such as a trap, puzzle, enemy, or all of the above. As was the case with Gathox Vertical Slum, the writing quality is descriptive without being verbose, and appropriately weird for the setting. The artwork is sketchy, grimy, and punk as hell – perfect for the tone of the book. There’s just enough to get the imagination flowing without feeling like it’s just there to take up space between the text sections. Overall, the quality of the book, both writing and illustration, is top notch, and there’s enough to feel substantial for a small tournament module.” – Jesse Goldshear, Yenemvelt: Another World

Bar Nowhere for Death is the New Pink by Gennifer Bone

One of the many projects that I am currently working on is a Death is the New Pink zine (that will come out whenever I plan on releasing)- total punk rock-style!

Note: There’s a killer character sheet for DitNP here.

When I was writing stuff for a DitNP session I was listening to Lone Digger by Caravan Palace (see the video below) and dug the feel of it for a glitzy dive bar.  Also I was watching season 1 and 2 of Killjoys.  I love the character, Pree.  He’s funny and rambunctious and a badass.

I wanted to steal that zest for the bartender/owner for my DitNP location.

Pree was a big inspiration for the character.

 

Anyways, when I decided to start writing the first issue of the zine, I wanted to include the bar.  I also wanted to make the character transgender.

Instead of me writing a transgender character, being a straight white CIS male, I wanted to hire the awesome Gennifer Bone to do so!

So here is her art and words!  Enjoy!

Bar Nowhere

Siouxsie Khan by Gennifer Bone

 

On the outskirts of Scratchtown, hugging the wall that separate the dangerous wilderness of the Wasted World from the “civilization”, you can find Bar Nowhere. Built within the shell of a concrete dome, the Bar has no sign, though you can always identify the place by the garish neon light shining through the single window. Bar Nowhere is typical for a Wastlands pub- a bar, some chairs, a smattering of scrounged and home-brewed hootch. An old jukebox plays eccletic tunes. It’s the lady behind the counter, backlight by the huge “Bar” sign, that makes Bar Nowhere different.

She’s a tall, strong woman of Asian desent. She’s never seen without perfect hair, perfect makeup, perfect clothes, and her signature pipe. She’s Siouxsie Khan. A smart and well-connected woman, she’s known for either having the info you need, or knowing who to talk to to get it. A pleasant, charismatic sort, Siouxsie is a consumate bartender. She turns down any propostions with a wink and a smile.

Some newcomers stare at her broad shoulders, or comment on her deep voice. These newcomers get one warning- “Siouxise Khan is who and what she says she is.” Continuing to comment (or worse, laugh) is trouble- she’s an excellent fighter, backed up by the Clairance, the bouncer. (A huge man wearing a metal mask, who rarely speaks)

Siouxsie only talks about her trans*(MtF) status with people she trusts.

Siouxsie runs a good bar, a peaceful bar. All the locals know that Bar Nowhere is neutral ground- no fighting. One time, a trio of bandits decided to throw down in Siouxsie’s place. With a press of a button, they were ripped apart by drone guns hidden in the walls. Then she had their friends clean up the mess.

 

As the local’s say, “Nowhere’s like Nowhere”.

 

Hooks and Rumors

1) Siouxsie Khan has decided that she’s ready to match her body to her identity. The Meat Bags are hired to travel to a far Medical Research Lab, to retrieve a robot device- the Bio-Remix-Transmographier (B.R.T., or Bert). It has the ability to remake any living thing, so changing Siouxsie’s physical sex should be easy. The journey will not be easy, and when the Meat Bags finally get their, they will find that Bert, who has the mind and personality of a child, has been using it’s abilities to make “friends”. Some truly gnarly mutants wander the lab.

If sucessful the Meat Bags will be well-compensated, Siouxsie closes the bar for a week for the gender alteration(she won’t look any differet, she likes her looks, after all), and Bert does a brisk business altering Meat Bags for profit(gender alteration is free to select customers).

2) Nobody knows how Siouxsie gets her infomation- she rarely leaves Bar Nowhere. There are a few who would pay well for her secret. (Her secret is a military-grade radio\descrambler and spy drone comp in a chamber deep below the bar)

3) A persistant rumor claims that Bar Nowhere sits above an underground military bunker, full of weapons and supplies! (Looks to be true, but the way in behind the Radio Room was blocked off by a cave in years ago)

4) Siouxsie loves gifts. Meat Bags may want to search the ruins for a suitable gift, or are hired to find one. (she loves beauty supplies and fine dresses, both a rarity in the Wastes). She is willing to trade valuable information for quality goods.

5) Siouxsie’s estranged family have come calling! A ruthless, well-organized band has appeared, demanding that she “return home, and cease this shameful life”. Naturally, her allies rally to her defence- This looks like all-out war! Meat Bags may be hired by Siouxsie, to protect the bar, or by the Khan family, to assult it. They may even be called upon to mediate between the two parties!

The First Gathox Vertical Slum Module is Out! Beware of QUAKE ALLEY MAYHEM!!

David Lewis Johnson put on his mad cap and turned the metal up to 11 for the first module for Gathox Vertical Slum through DIY RPG Productions!

Fuck he even did a video!

Oh and I did a blood ritual and was summoned the talented and snuggly Matt Hildebrand to shred out the layout on this beast!

And lo’ there was QUAKE ALLEY MAYHEM!

Note: Currently the book is only available in PDF form.  We are waiting to hear back on the recent submission to OBS.  Anyone who purchases the PDF will receive an email through Drivethru with the option to get the POD at the bundle price when its released!

 

Here’s a lil info on the adventure!

Enter a seedy underworld of alien hyper-capitalists and wondrous ancient artifacts with Quake Alley Mayhem! 

This murderous, misshapen module foists a host of traps, puzzles, and environmental hazards upon unsuspecting players in a race against time. Structured for both tournament and campaign play, Quake Alley Mayhem! includes pregenerated characters, supplements to track the party’s progress and impending doom, and hooks to fit the adventure into a larger campaign.Designed for 3 to 6 players of levels 1 – 3 for Gathox Vertical Slum.

 

QUOTES FROM REVIEWS

“The thing I really dig about this module, is there are no rooms in it that are empty.  Every room has a chance for roleplay, a fight, and or a deadly trap.  In other words this isn’t a vanilla dungeon with safe words!” – Shane Ward, 3 Toadstools Publishing

“If you enjoyed Gathox Vertical Slum then you need to get this product. Quake Alley Mayhem is a fun adventure to unleash at a con to show people how wild and crazy adventuring in Gathox can be.” – Brutorz Bill, Green Skeleton Gaming Guild

“The gonzo setting and weird gangs gives the whole enterprise a Heavy Metal magazine feel, or at least a Heavy Metal gloss on a grindhouse film. It’s a very fitting approach and a strong answer to the question “what do you do with Gathox?”” – Trey Causey, From the Sorcerer’s Skull

“Quake Alley Mayhem is compact and punchy. Every room in the dungeon contains something of interest, such as a trap, puzzle, enemy, or all of the above. As was the case with Gathox Vertical Slum, the writing quality is descriptive without being verbose, and appropriately weird for the setting. The artwork is sketchy, grimy, and punk as hell – perfect for the tone of the book. There’s just enough to get the imagination flowing without feeling like it’s just there to take up space between the text sections. Overall, the quality of the book, both writing and illustration, is top notch, and there’s enough to feel substantial for a small tournament module.” – Jesse Goldshear, Yenemvelt: Another World

Let’s see some tasty layout and art!

Oh and we have a character sheet on Drivethru as well!

The Spellsword Class for Barbarians of the Ruined Earth

Work still continues with Matt Hildebrand and myself on Barbarians of the Ruined Earth (cover art here).  I’m compiling all the needed art (yay) and will start reaching out to peeps who I’ve eyed for this project in the very near future.

I’ve started writing a supplement for the book (as this will take time to do).  I’ll have some new races, house rules, monsters, Sorcerer-fiends, packed into this baddy!

Last time I mentioned this project I wrote about the Armadite race.  Today I want to talk about the Spellsword.  I wanted to take inspiration from the Arcane Trickster and Grey Mouser.

SPELLSWORD

Spellswords are a motely lot with the unique ability to wield a small amount of magic to create illusionary effects.  Spellswords tend to be cocky opportunists that use their abilities to distract, beguile, and rob to support their hedonistic lifestyle (or just for the thrill).

“I’ve been given a great gift and it would be negligent of me if I didn’t use it to better my station in life, right?  A trinket here, a bauble there, a weapon, an heirloom, or maybe a few ceramic coins- things nobody will miss, but to me there are much more valuable.” 

Art by Fragoulis Garoufalis and not for BotRE

 

Starting HP: 1d8+4

Hit Points Per Level/Resting: 1d8 HP/lvl

Weapon and Armor: Light and Medium Armor, All Shields, All Swords, All Bows, Daggers, and Crossbows

Weapon Damage: 1d6/1d4 Unarmed or Improvised

 

SPECIAL FEATURES

 

Agile: The Spellsword rolls with Advantage when testing DEX to avoid damage or effects from traps and magical devices. They also roll with Advantage when performing delicate tasks, climbing, hearing sounds, moving silently, understanding written languages and opening locks.

 

Sneaky Bastard: The Spellsword knows how to hide and move quietly.  They roll with Advantage when attacking from behind and deal 2d6/2d4+the Spellsword’s level damage.

Art found here and not for BotRE

Magical Trickery: The Spellsword, whether it is intellectual prowess, sheer moxie, or having some Sorcerer’s blood in their heritage, can use a small amount of magic to cast illusionary effects.  The Spellsword can create illusionary objects, create small sources of light, cause noises to issue up to 60’ away, create small illusionary objects, imitate another person’s voice (the Spellsword must have heard this voice for more than a few quick words), levitate objects, cause small gusts of wind to douse candles or torches, etc.  Most effects are instantaneous or last a number of rounds equal to the Spellsword’s level +1.  Targets that are allowed a save must test their WIS to disbelieve the illusion.

The Spellsword must successfully test their CHR to summon forth the effort of the desired effect.  The player describes what they wish to accomplish and through discussion with the GM they determine if it is acceptable or not.   A Spellsword can use this ability a number of times equal to their level +1.

At 2^nd level the Spellsword’s magical ability grows and they can make themselves invisible as per the spell (BotRE, pg XX).

At 3^rd level the Spellsword’s ability to use illusionary effects becomes greater.  They can conjure images of people or animals, terrain (such as a pit or quicksand), etc. to fool or throw off their adversaries.

At 5^rd level the Spellsword can use their magical ability to manipulate complex objects like picking locks and disarming traps up to 30’ away. This requires a DEX roll to see if the Spellsword can successfully do this.  They do not receive Advantage granted by the Agile ability.

At 7^th level the Spellsword is able to teleport themselves and another person up to 100’ away.  The CHR test is made with Disadvantage when attempting to perform this bit of magic.

Martial Prowess:  Spellswords are a cocky lot, but they have had to learn to defend themselves with a blade.  Each successful attack a Spellsword makes grants +1 to damage.  This resets after each fight.

Leveling Up:

Roll all Attributes to see if they increase, roll twice for DEX or CHR

 

STARTING EQUIPMENT

WEAPONS*: Dagger and CHOOSE ONE: Short bow, crossbow, or short sword

ARMOR: Light Leather (1 RP)

ADDITIONAL ITEMS: Ammo for ranged weapon if taken, rations (d6), waterskin (d6), bedroll, torches x6 (d6), and healing salve (1 HD of HP restored).

*All starting weapons are made of wood, bone, or stone. For each weapon, there is a 15% chance it is made of metal (i.e., the arrowheads, the sword blade, etc.).

INTERESTING TRINKET (roll 1d6): 1) A golden ring you filched from a Sorcerer; 2) A silver dagger that belonged to your mentor; 3) A strand your dead lover’s hair in a locket; 4) A piece of Ancient Earth tech called a “pocket watch” – it still works!; 5) A hand crossbow given to you by your father; 6) A small jade idol- the spoils of your first big theft.

LIFE EVENT (roll 1d8): 1) You were a slave and escaped; 2) Your family was captured by a band of snakemen and sold into slavery; 3) Your sister was sacrificed by a cult in some dark right to a malevolent cosmic being; 4) You used your ability with illusions to get revenge on a bully in your village; 5) You traveled around with a Barbarian with a beautiful voice for several years; 6) You ventured into the ancient burial ruins of a cursed hero and returned with riches; 7) You were cast out from your village after you hoodwinked the village elder out of money; 8) You traveled with a band of circus performers for a few years, using your illusions to entertain (and steal when no one was watching).

Barbarians of the Ruined Earth- Session Three- The Fight for the Dark Orb, Part 2

When we last left our band of heroes that had just fought a giant mud crab and became depressed by grey snow before making it to the failed human village of Laundr-O-Mat.

Players

Omar- “Tip Toe” Tyron Thompson- Scavenger

Shoe- Medallion- Armadite

Coley- Coleesi- Barbarian

Brian- Sok- Armadillo Beastman

John- Vinsmoke the Sorcerer (Alt Casting Rules)

Unable to Attend

Gene- Beastman

Liam- Ashak- Death Priest

Kane- Vyvyan- Barbarian

Fletch- Shaw Shir- Vek

The Mysterious Village

The group looked around the dilapidated crumbled ruins of an Ancient Earth Strip mall.  There were signs of habitation from the villagers that disappeared five years ago, shanty shacks set up in the parking lot, rusted cars serving as beds, etc.

Two of the 14 stores remained somewhat intact; the signs read, “adio Sha” and “arbucks”.  The group split up and decided to search around the rubble.

“Tip Toe” and Sok wandered into the “adio sha”, shifting through the rubble they made their way to the backroom.  The discovered an altar with a helmet fashioned from the skull of a bull.  “Tip Toe” and Sok ran back outside to find Vinsmoke so he could do his magic thing on it.

The Helm of the Charging Bull

Vinsmoke was out in the parking lot and decided to use his abilities to sense magic.  He felt a strong magic from a crumbled brick building.  A strange wooden “T” laid on the ground and a broken sigh read, “ouse of esus Chri”.  At the western end of the area, down an Ancient Earth street another crumbled building, possibly once a town hall or community center, another sense of magic filled the air.

The two sources of magic assaulted Vinsmoke’s mind and he lost consciousness.

Medallion wandered in the crumbled buildings and found a bunch of Ancient Earth cooking spices (Shoe’s character loves to cook), including cumin, pepper, salt, garlic, and paprika (all with a d4 Usage Die).  She then started making soup for the group, especially Sok to try and cheer him up.

Coleesi wandered into the “arbucks” and found the skeleton of a barista at the counter, a name badge read, “Hi my name is Bryan M.  How can I help you?”

While in the building Coleesi found a storeroom filled with goods.  She found:

• Dryer doors x6 (acts as a small shield)
• Exoskeleton armor (heavy, 3 RP)
• Lantern
• Oil x10
• Shovel
• Rope (50′)
• Arrows (1d10)
• Short spear (metal) x2
• Short sword (bone) x2
• Maul, two-handed (metal) x1
• 1d100+10 Ceramic coins (green for Tygham the Fearless, ruler of the Swamps)
• 1d20 gold clay coins (Int roll to know this comes from Skullator the Deathless, ruler of the East.

The group divided up the spoils.

Aside: When the group split up, I stated that all their searching and shit would take place over an hour.  

The group all met back outside, Vinsmoke regaining consciousness and wiping a small amount of blood from his nose.  Medallion bringing large pot of ramen noodles.

As the sunset (it’s 6PM after all), a blast of black and grey energy and white light is seen from the rubble of the church.  The group is scared by this display of magic and
“Tip Toe” grabbed Vinsmoke, “Come with me!  There’s a helmet in this place and I wanna know what it is!  That magic over there- fuck that shit!”

All the group decided to join the two.  As “Tip Toe” and Vinsmoke got close to the building, the hair on Coleesi’s neck stood on end and she heard the soft moans of something nearby.  Suddenly sounds, almost like Velcro slowly being pulled apart, met their ears.  Only Coleesi saw three shades appearing on the ground and move slowly towards their prey.

One went after “Tip Toe”, another after Vinsmoke, and the third after Coleesi.

This fight was really fun and jarred them a little bit.  They started getting smacked and when I said, “you lose 100 XP” they freaked and the fight became that much more tense.  Vinsmoke was dropped during the fight, but with the use of a healing salve, he was saved.

Shade Apparition

HD 2; RP 1; Claws (2d4 damage), SV 6

Description: Wispy humanoid creature that moans and hates you.

Special: Ethereal: Half damage except from magic.

Draining Attack: 1^st attack- save or stunned for 1 round.

2^nd attack- Save or stunned for 1d4 rounds.

3^rd attack- Lose 100 XP

4^th attack+- Lose 100 XP and stunned for 1 round.

* If the Shade critically succeeds skip to the next attack level.

Dark Fog: Release a rancid smelling fog in a 15’ radius.  All attacks against Shade are made with Disadvantage as is dodging their attacks.  Last 1 round.  Can do this once per hour.

The group went into the “adio Sha” and Vinsmoke used his remaining magic to identify the bull skull helmet.

Helmet of the Charging Bull: The wearer can charge at a target as a full action.  The wearer rolls a STR test with Disadvantage.  If successful, they roll 2d10 damage.

The group decided to go to the end of the street where Vinsmoke sensed the other indication of magic (they wanted to give the church and the grey and black lights a wide berth).

 

As the group got closer to the ruins of the building they saw a figure wearing darkened leather armor slumped against the wall.  A sword near the figure’s right hand, a shield near the left.

Aside: Coly had her character in the lead. I asked her what she did.  She asked if there was a rock nearby and if she was allowed to throw it to see if it did anything.  Coley is relatively new to RPGing, having done it a total of four times (I think).  I said “Fuck yeah you can do that!  OSR shit right there, peeps!  Dove right in like a champion!”

Coleesi threw a rock, but it went right and dinged off the wall to no effect.   Feeling nothing as going to happen, the group moved forward.  The moment they stepped into the ruined structure a ring purple light filled the area and flashed bright.  The figure lifted his head, his eyes glowing red.  His face desiccated and rotten.  The group watched frozen as the figure stood up and pointed at them, “SUFFER WITH ME!!!”

SUUUUUFFFFFEEEERRRR!!!!

This fight was fun and tough.  The undead Barbarian called lighting down onto his blade and started hacking away at group, eventually shooting lighting at his blade at several of them (I think one person went unconscious, but can’t remember).

 

Vinsmoke used a powerful spell to attempt to blow the arms of the undead Barbarian off, he blew the shield arm off at the elbow, but the sword arm remained intact.

After several seconds of fighting, the cursed Barbarian was slain.  As he fell a faint “thank  you” issued from his mouth.  When the dust settled, the group quickly looted his body.

They got a shield (absorbs two blows), the Lightning Blade, and a Teleporter Bracelet.

The Lighting Blade: One-handed broadsword- call lighting to the blade (as a movement action).  Increases the damage of the blade by 1 die.  Can release the lighting at a target within 30′.  Make a DEX roll to hit.  If successful, deal 2d6 damage to target.  The target must save or be stunned for 1 round.  Can do this twice per day.

Teleporter Bracelet: This piece Stupendous Science allows the wearer to teleport up to 100′ away once per day.

 

The session ended with the group shifting through the rubble of the old church, finding the Dark Orb, and then setting off back to Mardi Grass

Next Time: Will the group make it back safely to Mardi Grass?  Will they be able to place the Dark Orb into the hands of the Luminescent Mother?  Find out next time on another adventure of: